This music is some good shit, honestly, not one that listens to jazz enough, but with much knowledge in hip hop and how it derives from the genre it is very well composed. The music is upbeat, intense, and perfect. It would remind you of the 70's with its groovy rhythm and the vocals from the singer. The tracks also include this reggae that they mage to incorporate that makes this album unique and even more badass. This is definitely for someone who wants something to relax to, to chill to, to play with the curatins closed and the light dim or off.
Takuya Kuroda’s laid back, yet immaculately in-the-pocket trumpet style is complemented by a tight rhythm section of Rhodes, bass, and syncopated, versatile and constantly evolving drums from Nate Smith. The group effortlessly and proudly shine their influences from many styles of music, from Funk, R&B,(trk1), Afrobeat (trk2), Cuban jazz (trk4), and Neo-soul(trk5), all composed by Kuroda except for 5&6 which are interpretations of Roy Ayers tunes. Deep grooves, cool chords, and funky, lyrical horn playing all over this one. RIYL J Dilla, D’Angelo, BBNG, early Roots.
Favorite Tracks: Rising Son (1), Afro Blues (2), Mala (4), Everybody Loves The Sunshine (5), Green and Gold (6)
Self-described as “post-jazz hip hop,” MODAL (name inspired by modal jazz) is grounded by a trio of piano, bass & drums, whose natural chemistry in kicking out driving, upbeat grooves nicely complements Pojo the Idealist’s soulful, positive & conscious vocals and the occasional trumpet solo from Samuel Howden. The live energy of their shows comes across well in these recordings, showcasing the musicians’ natural interplay & jammy nature.
BBNG made waves with their jazz covers of hip hop instrumentals from Nas to Earl Sweatshirt to Kanye & more on their first 2 albums, and with this, their 3rd full-length release, they integrate their influences into all original compositions. The trio of drummer, bassist, & electric keys makes for a powerful core of highly skilled musicians that have been, and continue to work together exceedingly well. Each piece on this LP is produced pristinely & performed tightly, cemented by the group’s ability to just f’n GROOVE man.
By playing all of the instruments on his productions, while also relying heavily on sampling and chopping up his live takes, Taylor McFerrin has found a sound that seamlessly bridges myriad musical worlds and draws the listener into a constantly shifting audio soundscape. Early Riser is an amalgamation of live elements, synths, jazz chord progressions, ethereal vocals and electronic edits combined to truly sublime effect. Each tune steadily progresses into new territory as McFerrin weaves a vast multitude of sounds and melodies in and out, making for an exquisitely detailed & nuanced journey for the listener. The collaborative tracks are definitely the highlights, especially with the nerdgasm-inducing combination of Robert Glasper, Thundercat & Marcus Gilmore on Already There (trk7), or Invisible/Visible(trk11), featuring vocals of Taylor’s proud poppy Bobby McFerrin of ‘Don’t Worry Be Happy’ notoriety.